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oggenc(1)			 Vorbis Tools			     oggenc(1)

NAME
       oggenc - encode audio into the Ogg Vorbis format

SYNOPSIS
       oggenc  [  -hrQ ] [ -B raw input sample size ] [ -C raw input number of
       channels ] [ -R raw input samplerate ] [ -b nominal bitrate ] [ -m min‐
       imum  bitrate ] [ -M maximum bitrate ] [ -q quality ] [ --resample fre‐
       quency ] [ --downmix ] [ --scale ] [ -s serial ] [ -o output_file  ]  [
       -n pattern ] [ -c extra_comment ] [ -a artist ] [ -t title ] [ -l album
       ] [ -G genre ] [ -L lyrics file ] [ -Y  language-string	]  input_files
       ...

DESCRIPTION
       oggenc reads audio data in either raw, Wave, or AIFF format and encodes
       it into an Ogg Vorbis stream.  oggenc may also  read  audio  data  from
       FLAC  and  Ogg  FLAC files depending upon compile-time options.	If the
       input file "-" is specified, audio data is read from stdin and the Vor‐
       bis  stream  is written to stdout unless the -o option is used to redi‐
       rect the output.	 By default, disk files are output to Ogg Vorbis files
       of the same name, with the extension changed to ".ogg" or ".oga".  This
       naming convention can be overridden by the -o option (in	 the  case  of
       one  file) or the -n option (in the case of several files). Finally, if
       none of these are available, the output	filename  will	be  the	 input
       filename	 with  the  extension (that part after the final dot) replaced
       with ogg, so file.wav will become file.ogg.
       Optionally, lyrics may be embedded in the Ogg file, if Kate support was
       compiled in.
       Note  that  some old players mail fail to play streams with more than a
       single Vorbis stream (the so called "Vorbis I" simple profile).

OPTIONS
       -h, --help
	      Show command help.

       -V, --version
	      Show the version number.

       -r, --raw
	      Assume input data is raw little-endian audio data with no header
	      information.  If	other  options	are not specified, defaults to
	      44.1kHz stereo 16 bit. See next three options for how to	change
	      this.

       -B n, --raw-bits=n
	      Sets raw mode input sample size in bits. Default is 16.

       -C n, --raw-chan=n
	      Sets raw mode input number of channels. Default is 2.

       -R n, --raw-rate=n
	      Sets raw mode input samplerate. Default is 44100.

       --raw-endianness n
	      Sets raw mode endianness to big endian (1) or little endian (0).
	      Default is little endian.

       --utf8
	      Informs oggenc that the Vorbis Comments are already  encoded  as
	      UTF-8.  Useful in situations where the shell is using some other
	      encoding.

       -k, --skeleton
	      Add a Skeleton  bitstream.   Important  if  the  output  Ogg  is
	      intended	to  carry multiplexed or chained streams.  Output file
	      uses .oga as file extension.

       --ignorelength
	      Support for Wave files over 4 GB and stdin data streams.

       -Q, --quiet
	      Quiet mode.  No messages are displayed.

       -b n, --bitrate=n
	      Sets target bitrate to n (in kb/s). The encoder will attempt  to
	      encode at approximately this bitrate. By default, this remains a
	      VBR encoding. See	 the  --managed	 option	 to  force  a  managed
	      bitrate encoding at the selected bitrate.

       -m n, --min-bitrate=n
	      Sets  minimum bitrate to n (in kb/s). Enables bitrate management
	      mode (see --managed).

       -M n, --max-bitrate=n
	      Sets maximum bitrate to n (in kb/s). Enables bitrate  management
	      mode (see --managed).

       --managed
	      Set  bitrate  management	mode.  This  turns  off the normal VBR
	      encoding, but allows hard or  soft  bitrate  constraints	to  be
	      enforced	by the encoder. This mode is much slower, and may also
	      be lower quality. It is primarily useful for creating files  for
	      streaming.

       -q n, --quality=n
	      Sets  encoding  quality to n, between -1 (very low) and 10 (very
	      high). This is the default mode of  operation,  with  a  default
	      quality  level  of  3. Fractional quality levels such as 2.5 are
	      permitted. Using this option allows the  encoder	to  select  an
	      appropriate bitrate based on your desired quality level.

       --resample n
	      Resample input to the given sample rate (in Hz) before encoding.
	      Primarily useful for downsampling for lower-bitrate encoding.

       --downmix
	      Downmix input from stereo to mono (has no effect	on  non-stereo
	      streams). Useful for lower-bitrate encoding.

       --scale
	      Input scaling factor (helps with clipping inputs).

       --advanced-encode-option optionname=value
	      Sets  an	advanced  option. See the Advanced Options section for
	      details.

       -s, --serial
	      Forces a specific serial number in the output  stream.  This  is
	      primarily useful for testing.

       --discard-comments
	      Prevents	comments  in FLAC and Ogg FLAC files from being copied
	      to the output Ogg Vorbis file.

       -o output_file, --output=output_file
	      Write the Ogg Vorbis stream to output_file (only valid if a sin‐
	      gle input file is specified).

       -n pattern, --names=pattern
	      Produce  filenames  as  this string, with %g, %a, %l, %n, %t, %d
	      replaced by genre, artist, album, track number, title, and date,
	      respectively  (see below for specifying these). Also, %% gives a
	      literal %.

       -X, --name-remove=s
	      Remove the specified characters from parameters to the -n format
	      string. This is useful to ensure legal filenames are generated.

       -P, --name-replace=s
	      Replace  characters removed by --name-remove with the characters
	      specified. If this string	 is  shorter  than  the	 --name-remove
	      list,  or	 is  not  specified,  the  extra  characters  are just
	      removed. The default settings for this option, and the -X option
	      above,  are  platform specific (and chosen to ensure legal file‐
	      names are generated for each platform).

       -c comment, --comment comment
	      Add the string comment as an extra comment.  This	 may  be  used
	      multiple	times,	and all instances will be added to each of the
	      input files specified.  The  argument  should  be	 in  the  form
	      "tag=value".

       -a artist, --artist artist
	      Set the artist comment field in the comments to artist.

       -G genre, --genre genre
	      Set the genre comment field in the comments to genre.

       -d date, --date date
	      Sets  the	 date comment field to the given value. This should be
	      the date of recording.

       -N n, --tracknum n
	      Sets the track number comment field to the given value.

       -t title, --title title
	      Set the track title comment field to title.

       -l album, --album album
	      Set the album comment field to album.

       -L filename, --lyrics filename
	      Loads lyrics from filename and encodes them into a  Kate	stream
	      multiplexed with the Vorbis stream.  Lyrics may be in LRC or SRT
	      format, and should be encoded in UTF-8  or  plain	 ASCII.	 Other
	      encodings	 may be converted using tools such as iconv or recode.
	      Alternatively, the same system as for comments will be used  for
	      conversion  between  encodings.	So called "enhanced LRC" files
	      are supported, and a simple karaoke style change will  be	 saved
	      with  the	 lyrics.  For  more complex karaoke setups, kateenc(1)
	      should be used instead.  When embedding lyrics, the default out‐
	      put  file	 extention  is	".oga".	  Note that adding lyrics to a
	      stream will automatically enable Skeleton (see the -k option for
	      more information about Skeleton).

       -Y language-string, --lyrics-language language-string
	      Sets the language for the corresponding lyrics file to language-
	      string.  This should be an ISO 639-1 language code  (eg,	"en"),
	      or  a  RFC 3066 language tag (eg, "en_US"), not a free form lan‐
	      guage name. Players will typically recognize this	 standard  tag
	      and  display  the language name in your own language.  Note that
	      the maximum length of this tag is 15 characters.

       Note that the -a, -t, -l, -L, and -Y  options  can  be  given  multiple
       times.  They will be applied, one to each file, in the order given.  If
       there are fewer album, title, or artist comments given than  there  are
       input  files,  oggenc will reuse the final one for the remaining files,
       and issue a warning in the case of repeated titles.

ADVANCED ENCODER OPTIONS
       Oggenc allows you to set a number of advanced encoder options using the
       --advanced-encode-option	 option.  These are intended for very advanced
       users only, and should be approached with caution.  They	 may  signifi‐
       cantly degrade audio quality if misused. Not all these options are cur‐
       rently documented.

       lowpass_frequency=N
	      Set the lowpass frequency to N kHz.

       impulse_noisetune=N
	      Set a noise floor bias N (range from -15.	 to  0.)  for  impulse
	      blocks.	A  negative  bias instructs the encoder to pay special
	      attention to the crispness of transients in the  encoded	audio.
	      The tradeoff for better transient response is a higher bitrate.

       bitrate_hard_max=N
	      Set  the allowed bitrate maximum for the encoded file to N kilo‐
	      bits per second.	This bitrate may be exceeded only  when	 there
	      is  spare	 bits  in  the	bit reservoir; if the bit reservoir is
	      exhausted, frames will be held under this value.	 This  setting
	      must be used with --managed to have any effect.

       bitrate_hard_min=N
	      Set  the allowed bitrate minimum for the encoded file to N kilo‐
	      bits per second.	This bitrate may be underrun only when the bit
	      reservoir is not full; if the bit reservoir is full, frames will
	      be held over this value; if it impossible to add bits  construc‐
	      tively, the frame will be padded with zeroes.  This setting must
	      be used with --managed to have any effect.

       bit_reservoir_bits=N
	      Set the total size of the bit reservoir to N bits;  the  default
	      size  of	the  reservoir	is equal to the nominal number of bits
	      coded in one second (eg, a nominal 128kbps file will have a  bit
	      reservoir	 of 128000 bits by default).  This option must be used
	      with --managed to have any effect and affects only  minimum  and
	      maximum  bitrate	management.   Average bitrate encoding with no
	      hard bitrate boundaries does not use a bit reservoir.

       bit_reservoir_bias=N
	      Set the behavior bias of the bit reservoir (range:  0.  to  1.).
	      When set closer to 0, the bitrate manager attempts to hoard bits
	      for future use in sudden bitrate increases (biasing toward  bet‐
	      ter  transient reproduction).  When set closer to 1, the bitrate
	      manager neglects transients in favor using bits  for  homogenous
	      passages.	  In the middle, the manager uses a balanced approach.
	      The default setting is .2, thus biasing  slightly	 toward	 tran‐
	      sient reproduction.

       bitrate_average=N
	      Set  the	average bitrate for the file to N kilobits per second.
	      When used without hard minimum or maximum	 limits,  this	option
	      selects  reservoirless  Average  Bit  Rate  encoding,  where the
	      encoder attempts to  perfectly  track  a	desired	 bitrate,  but
	      imposes no strict momentary fluctuation limits.  When used along
	      with a minimum or maximum limit, the average bitrate still  sets
	      the  average  overall  bitrate of the file, but will work within
	      the bounds set by the bit reservoir.   When  the	min,  max  and
	      average  bitrates	 are  identical,  oggenc produces Constant Bit
	      Rate Vorbis data.

       bitrate_average_damping=N
	      Set the reaction time for the average bitrate tracker to N  sec‐
	      onds.   This  number represents the fastest reaction the bitrate
	      tracker is allowed to make to hold the bitrate to	 the  selected
	      average.	The faster the reaction time, the less momentary fluc‐
	      tuation in the bitrate but (generally)  the  lower  quality  the
	      audio  output.  The slower the reaction time, the larger the ABR
	      fluctuations, but (generally) the better the audio.   When  used
	      along  with  min	or  max	 bitrate  limits, this option directly
	      affects how deep and how quickly the encoder will dip  into  its
	      bit reservoir; the higher the number, the more demand on the bit
	      reservoir.

	      The setting must be greater than zero and the  useful  range  is
	      approximately .05 to 10.	The default is .75 seconds.

       disable_coupling
	      Disable  use  of channel coupling for multichannel encoding.  At
	      present, the encoder will normally use channel coupling to  fur‐
	      ther  increase  compression  with	 stereo	 and  5.1 inputs. This
	      option forces the encoder to encode each channel fully  indepen‐
	      dently using neither lossy nor lossless coupling.

EXAMPLES
       Simplest version. Produces output as somefile.ogg:
	      oggenc somefile.wav

       Specifying an output filename:
	      oggenc somefile.wav -o out.ogg

       Specifying a high-quality encoding averaging 256 kbps (but still VBR):
	      oggenc infile.wav -b 256 -o out.ogg

       Specifying a maximum and average bitrate, and enforcing these:
	      oggenc infile.wav --managed -b 128 -M 160 -o out.ogg

       Specifying quality rather than bitrate (to a very high quality mode):
	      oggenc infile.wav -q 6 -o out.ogg

       Downsampling and downmixing to 11 kHz mono before encoding:
	      oggenc --resample 11025 --downmix infile.wav -q 1 -o out.ogg

       Adding some info about the track:
	      oggenc  somefile.wav  -t	"The  track title" -a "artist who per‐
	      formed this" -l "name of album" -c "OTHERFIELD=contents of  some
	      other field not explicitly supported"

       Adding embedded lyrics:
	      oggenc  somefile.wav --lyrics lyrics.lrc --lyrics-language en -o
	      out.oga

       This encodes the three files, each with the same artist/album tag,  but
       with  different title tags on each one. The string given as an argument
       to -n is used to generate filenames, as shown  in  the  section	above.
       This example gives filenames like "The Tea Party - Touch.ogg":
	      oggenc  -b  192  -a  "The	 Tea  Party"  -l "Triptych" -t "Touch"
	      track01.wav -t "Underground"  track02.wav	 -t  "Great  Big  Lie"
	      track03.wav -n "%a - %t.ogg"

       Encoding	 from  stdin,  to stdout (you can also use the various tagging
       options, like -t, -a, -l, etc.):
	      oggenc -

AUTHORS
       Program Author:
	      Michael Smith <msmith@xiph.org>

       Manpage Author:
	      Stan Seibert <indigo@aztec.asu.edu>

BUGS
       Reading type 3 Wave files (floating  point  samples)  probably  doesn't
       work other than on Intel (or other 32 bit, little endian machines).

SEE ALSO
       vorbiscomment(1),  ogg123(1),  oggdec(1),  flac(1),  speexenc(1),  ffm‐
       peg2theora(1), kateenc(1)

Xiph.Org Foundation		2008 October 05			     oggenc(1)
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